The cemetery cat asleep on the warm headstone
careless of the worthy mason’s curfew
ignores the adjustment to place
my fingernails caught in the fierce scree of memory
I try to place the language of a pebble
from when we slept huddled at Roaring Meg
waking laughing snoring back at snowflakes
carried by a pilgrim’s wanderlust
its granule beat beyond a relic’s blessing
there is a continent between us
they are strangers, your family, after our time
even now do they know about your toe rings?
those keepsakes of the Kush market
a lonely chorus hum slips through forearm hair
the release of doves falters songs escape
an evening bids by light too short
this redeemed concession out of was
now a stranger’s lilt toward recovery
a best suit shrouds over like a shag of wet ravens
graphite slow motion by crease endowed
you wanted to be buried a Viking
but here we are among the kindling
still held apart between oft trodden roads
Shall I introduce this parting remnant
fill in the song lines of your mystery
leave it to flicker by the sun translated?
A poem just up at Black Poppy Review
Kneeling man embracing standing woman by Gustav Vigeland
Some very vivid and effective language here, James; for example “my fingernails caught in the fierce scree of memory” and “a best suits shrouds over like a shag of wet ravens”.
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Thanks Kevin, funerals….too many!
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